1984 saw the start of the UK miners’ strike and that same year the Provisional IRA tried to assassinate Margaret Thatcher by planting a bomb at the Conservative Party’s conference in Brighton. The aids virus was discovered, and the computer game Tetris first appeared. The summer Olympics were held in Los Angeles where local lass Zola Budd (representing Britain) collided with Mary Decker during the 3000m and neither finished the race (And if you want to be a trivia expert, Romania’s Maricica Puica went on to win the race). PW Botha was inaugurated as first State President of SA and news came through of the famine in Ethiopia which led to the Band Aid single and Live Aid concert later that year. Also, the Vatican finally officially forgave Galileo for saying that the earth revolved around the sun (368 years after the event). On the film front a certain Arnold Schwarzenegger appeared in a movie called ‘The Terminator’. The year also saw the births of Calvin Harris, AB de Villiers, Trevor Noah, Olly Murs, Prince Harry, Katie Melua, Dizzee Rascal, Avril Lavigne, Katy Perry and Trey Songz while we said goodbye to Jackie Wilson, Marvin Gaye, Count Basie, Richard Burton, and Truman Capote who all died. The police raided the Stander Gang hideout in Houghton killing gang member Patrick McCall and on the opposite end of the spectrum we sam Desmond Tutu being awarded the Nobel Peace prize.
Meanwhile on the music front, we saw 125 songs spend time in charts, of which 97 spent time in the top 20. The 125 songs was less than the 134 we had seen in 1983 (the year the top 30 was introduced) and the 97 top 20 hits was the lowest we had seen since 1965, the year the charts start and that was only half a year of charts. There were 85 different acts whose names appeared on the 97 top 20 hits and 108 brought us the 125 top 30 hits. Both figures were the lowest we had seen except for the 55 acts which brought us the hits in the half year of 1965. The 153 hits we saw in 1969 was still the best in a year. Looking only at the top 20, we saw an average hits per act figure of 1.141 which was the second lowest to date, beaten only by the 1.118 we saw in 1976. The table below sets out the figures for these stats by years:
Year | No Of Hits (Top 20) | No Of Hits (Top 30) | No Of acts (Top 20) | No Of acts (Top 30) | Hits/Act (Top 20) | Rank |
1965 | 79 | 55 | 1.436 | 3 | ||
1966 | 136 | 97 | 1.402 | 4 | ||
1967 | 146 | 98 | 1.490 | 1 | ||
1968 | 142 | 97 | 1.464 | 2 | ||
1969 | 153 | 112 | 1.366 | 5 | ||
1970 | 141 | 114 | 1.237 | 9 | ||
1971 | 135 | 114 | 1.184 | 13 | ||
1972 | 117 | 97 | 1.206 | 11 | ||
1973 | 103 | 87 | 1.184 | 14 | ||
1974 | 115 | 100 | 1.150 | 17 | ||
1975 | 128 | 111 | 1.153 | 16 | ||
1976 | 123 | 110 | 1.118 | 19 | ||
1977 | 119 | 94 | 1.266 | 6 | ||
1978 | 114 | 91 | 1.253 | 7 | ||
1979 | 113 | 91 | 1.242 | 8 | ||
1980 | 119 | 97 | 1.227 | 10 | ||
1981 | 126 | 108 | 1.167 | 15 | ||
1982 | 109 | 98 | 1.112 | 20 | ||
1983 | 102 | 134 | 86 | 112 | 1.186 | 12 |
1984 | 97 | 125 | 85 | 108 | 1.141 | 18 |
Only 10 of the 125 top 30 hits were by local acts and this was the tied lowest to date we had seen equalling 1979 and 1983. There were 9 acts who brought us these 10 hits.
Based on a points system of 30 points for a number 1 position, 29 for number 2 etc down to 1 for position 30, the following are the top 40 chart performers for the year (Note: this does not necessarily reflect sales):
Pos | Song | Artist | Points |
1 | Clap-Clap Sound | Klaxons | 662 |
2 | I Want to Break Free | Queen | 649 |
3 | Red Red Wine | UB40 | 630 |
4 | To All the Girls I’ve Loved Before | Julio Iglesias | 600 |
5 | Islands in the Stream | Kenny Rogers | 590 |
6 | Self Control | Laura Branigan | 573 |
7 | Karma Chameleon | Culture Club | 523 |
8 | Manuel Goodbye | Audrey Landers | 519 |
9 | Footloose | Kenny Loggins | 454 |
10 | 99 Red Balloons | Nena | 436 |
11 | Happy Station | Fun Fun | 433 |
12 | Girls Just Want to Have Fun | Cyndi Lauper | 429 |
13 | All Night Long (All Night) | Lionel Richie | 422 |
14 | Jump | Van Halen | 418 |
=15 | Major Tom | Peter Schilling | 406 |
=15 | Break My Stride | Matthew Wilder | 406 |
17 | What’s Love Got to do with It | Tina Turner | 398 |
18 | Dolce Vita | Ryan Paris | 388 |
19 | Big in Japan | Alphaville | 382 |
20 | Ghostbusters | Ray Parker Jr. | 360 |
21 | Sunshine Reggae | Laid Back | 353 |
22 | Dancing in the Dark | Bruce Springsteen | 346 |
23 | Reggae Night | Jimmy Cliff | 344 |
24 | Say Say Say | Paul McCartney | 333 |
25 | Somebody’s Watching Me | Rockwell | 329 |
=24 | I Just Called to Say I Love You | Stevie Wonder | 326 |
=24 | Love of the Common People | Paul Young | 326 |
25 | Colour My Love | Fun Fun | 321 |
29 | Radio Ga Ga | Queen | 311 |
30 | Hello | Lionel Richie | 307 |
31 | Catch Me (I’m Falling in Love) | Marsha Raven | 306 |
32 | Tonight, I Celebrate My Love | Peabo Bryson | 301 |
33 | Hold Me Now | Thompson Twins | 290 |
34 | Susanna | Art Company | 277 |
35 | Careless Whisper | George Michael | 272 |
=36 | When Doves Cry | Prince | 269 |
-36 | Boys do Fall in Love | Robin Gibb | 269 |
=38 | Wake Me Up Before You Go-Go | Wham! | 265 |
=38 | Where is My Man? | Eartha Kitt | 265 |
40 | Earthquake | Flirtations | 260 |
You can compare this to the list published in Top 40 magazine in 1989 which can be found here:
This was the first time we had seen a Belgian act top this list, but then ‘Clap Clap Sound’ was only the second song by a Belgian act to make the charts. They were only the 3rd non-big 3 nation to see a top hit for the year with Germany having provided 2 and Canada 1. US acts still led the way with 7 annual top hits, locals acts had managed 5 and the UK acts 4. It should also be noted that if we only looked at the top 20, then Queen’s ‘I Want To Break Free’ would have been the top song on the list. It managed 382 top 20 points which was the 3rd highest we had seen for the top song for the year beaten by Dr Hook’s ‘Baby Makes Her Blue Jeans Talk’ which managed 387 top 20 points and Alan Garrity’s ‘I Need Someone’ which accumulated 417 points. ‘I Want To Break Free’ sat 8th overall on the top 20 points list with ‘Clap Clap Sound’ 1 place lower with 381 points.
The cumulative points to date using a top 20 basis gave the following top 10:
Pos | Song | Artist | Points |
1 | I Need Someone | Alan Garrity | 464 |
2 | I Can See Clearly Now | Johnny Nash | 448 |
3 | Cry to Me | Staccatos | 447 |
4 | You | Peter Maffay | 399 |
5 | Words | F.R. David | 392 |
6 | Sunday, Monday, Tuesday | Jessica Jones | 391 |
7 | Baby Makes Her Blue Jeans Talk | Dr Hook | 387 |
8 | I Want To Break Free | Queen | 384 |
9 | Clap Clap Sound | Klaxons | 381 |
10 | We Believe in Tomorrow | Freddy Breck | 376 |
‘I Want To Break Free’ and ‘Clap Clap Sound’ were new entries into this list meaning that Don Gibson’s ‘Woman (Beautiful Woman)’ which was at 9 at the end of last year and Dr Hook’s ‘Sylvia’s Mother’ and Daniel Boone’s ‘Beautiful Sunday’ which were tied 10th, dropped off the list.
The top songs pointswise on the local front for 1984 using a top 30 basis were as follows:
Pos | Song | Artist | Points |
1 | Taximan | éVoid | 214 |
2 | Trans-Karoo | Herman Holtzhausen | 158 |
3 | Stoksielalleen | David Kramer | 94 |
4 | Shadows | éVoid | 75 |
5 | Here We Are | Face to Face | 64 |
6 | Somebody to Love | Café Society | 43 |
7 | We will Make Love | Vangie Coker | 35 |
8 | Mysteries and Jealousies | Helicopters | 34 |
9 | Working Girls | Working Girls | 17 |
10 | Elvis-Astaire | Soft Shoes | 2 |
Only 4 of the 10 songs listed above made it into the top 20 and ‘Taximan’ had the highest points total for the top 20 performance, however, the 70 points it managed was by far the lowest we had seen in a calendar year being 105 points less than Des Lindberg’s ‘Die Gezoem Van Die Bye’, the previous lowest, which managed 175 points in 1966.
Cumulatively from the start of the charts in 1965, the top 10 local songs on a top 20 basis were:
Pos | Song | Artist | Points |
1 | I Need Someone | Alan Garrity | 464 |
2 | Cry to Me | Staccatos | 447 |
3 | Sunday, Monday, Tuesday | Jessica Jones | 391 |
4 | Mammy Blue | Charisma | 347 |
5 | I Don’t Wanna Play House | Barbara Ray | 336 |
6 | Substitute | Clout | 321 |
7 | Timothy | Four Jacks & A Jill | 312 |
8 | She’s A Woman | Neil Herbert | 304 |
9 | It’s Too Late Now | Lauren Copley | 303 |
10 | Clap Your Hands And Stamp Your Feet | Maria | 302 |
This list had not changed since the end of 1978.
NUMBER OF HITS
After 1983’s bucking of the trend with Michael Jackson seeing 4 hits spend time in the charts in the year, we returned to seeing 3 as the maximum any act managed. This figure had been 3 from 1978 to 1982 and then again in 1984. Those who managed 3 hits were Wham!, Elton John and Cyndi Lauper, although it should be noted that 1 of Lauper’s hits did not make the top 20. The most hits in a year that we had ever seen so far was 5 and that happened in 1968, 1969, 1971 and 1972.
For an 8th year running the best any local act managed was to see 2 hits spend time in the charts and it was éVoid who managed this with ‘Shadows’ straddling 1983/84 and ‘Taximan’ entering the charts in the last week of January ‘84.
Cliff Richard still led the way overall for number of hits. He was still on 24 (where he sat at the end of 1983). The only change in those who had seen 10 or more hits was that Elton John added 2 more to his tally and went from 10 to 12 hits. This moved him up to tied 10th in the list which now looked like this:
Pos | Last Year | Artist | No Of Hits |
1 | (1) | Cliff Richard | 24 |
=2 | (2) | Abba | 18 |
=2 | (2) | Tom Jones | 18 |
4 | (4) | Bee Gees | 17 |
5 | (5) | Hollies | 15 |
=6 | (6) | Elvis Presley | 14 |
=6 | (6) | Neil Diamond | 14 |
=6 | (6) | Billy Forrest | 14 |
9 | (9) | Rolling Stones | 13 |
=10 | (10) | Percy Sledge | 12 |
=10 | (10) | Olivia Newton-John | 12 |
=10 | (10) | Leo Sayer | 12 |
=10 | (10) | Barbara Ray | 12 |
=10 | (17) | Elton John | 12 |
=15 | (14) | Petula Clark | 11 |
=15 | (14) | Herman’s Hermits | 11 |
=15 | (14) | Creedence Clearwater Revival | 11 |
=18 | (17) | Gene Rockwell | 10 |
=18 | (17) | Troggs | 10 |
=18 | (17) | Jody Wayne | 10 |
Billy Forrest was still the leader on the local front with 14 hits, followed by Barbara Ray on 12 and Jody Wayne and Gene Rockwell on 10.
WEEKS ON THE CHARTS
Queen spent more weeks in the charts than any other act in 1984 with 49 weeks to their name. This was the 4th best total for the top act in a year with Middle Of The Road’s 59 in 1972, The Bee Gees’ 53 in 1978 and Michael Jackson’s 52 in 1983 being better. It should be noted that both Michael Jackson in 1983 and now Queen in 1984 had the advantage of the extended charts. Queen managed 40 top 20 weeks which was the tied 9th highest we had seen for the top act in a year. Fun Fun and Julio Iglesias were tied second for top 30 weeks in 1984, both acts managing 43 and they were followed by Cyndi Lauper who managed 37.
The overall position for weeks in the charts looked like this:
Pos | Last Year | Artist | No Of Weeks |
1 | (1) | Abba | 237 |
2 | (2) | Bee Gees | 203 |
3 | (3) | Tom Jones | 185 |
4 | (4) | Cliff Richard | 172 |
5 | (5) | Neil Diamond | 141 |
6 | (13) | Elton John | 139 |
7 | (6) | Hollies | 137 |
=8 | (7) | Rolling Stones | 136 |
=8 | (7) | Barbara Ray | 136 |
10 | (9) | Elvis Presley | 131 |
11 | (10) | Boney M | 130 |
12 | (16) | Olivia Newton-John | 127 |
13 | (19) | Michael Jackson | 126 |
=14 | (11) | Joe Dolan | 123 |
=14 | (N) | Queen | 123 |
-16 | (12) | Creedence Clearwater Revival | 118 |
=17 | (14) | Troggs | 115 |
=17 | (14) | Sweet | 115 |
19 | (16) | Billy Forrest | 113 |
20 | (18) | Leo Sayer | 108 |
And the local list was as follows:
Pos | Last Year | Artist | No Of Weeks |
1 | (1) | Barbara Ray | 136 |
2 | (2) | Billy Forrest | 113 |
3 | (3) | Alan Garrity | 98 |
4 | (4) | Staccatos | 83 |
5 | (5) | Four Jacks & A Jill | 78 |
=6 | (6) | Richard Jon Smith | 76 |
=6 | (6) | Bobby Angel | 76 |
8 | (8) | Gene Rockwell | 75 |
9 | (9) | Dave Mills | 73 |
10 | (10) | Jody Wayne | 72 |
11 | (11) | John Edmond | 70 |
12 | (12) | Lionel Petersen | 68 |
13 | (13) | Tommy Dell | 67 |
14 | (14) | Maria | 55 |
15 | (15) | Lauren Copley | 54 |
16 | (16) | Dealians | 50 |
=17 | (17) | Jessica Jones | 48 |
=17 | (17) | Peanutbutter Conspiracy | 48 |
19 | (19) | Bats | 45 |
=20 | (20) | Peter Lotis | 44 |
=20 | (20) | Peter Vee | 44 |
This list was unchanged from the end of 1983.
NO 1’s
For the 10th year and the 3rd year in succession, no one act saw more than 1 hit spend time at number 1. Chris Andrews’ 3 number 1’s in 1970 was still the best we had seen. UB40’s ‘Red Red Wine’ spent more weeks at 1 than any other song in 1984 as it topped the charts for 12 weeks. This was also the tied second highest weeks at 1 for any song, equalling Charisma’s ‘Mammy Blue’ and being 1 behind Johnny Nash’s ‘I Can See Clearly Now’. The songs that spent time at 1 during 1984 were as follows:
Pos | Song | Act | Weeks |
1 | Red Red Wine | UB40 | 12 |
=2 | Clap-Clap Sound | Klaxons | 7 |
=2 | I Want to Break Free | Queen | 7 |
4 | I Just Called to Say I Love You | Stevie Wonder | 6 |
5 | Manuel Goodbye | Audrey Landers | 5 |
=6 | All Night Long (All Night) | Lionel Richie | 4 |
=6 | Self Control | Laura Branigan | 4 |
=8 | Karma Chameleon | Culture Club | 2 |
=8 | Footloose | Kenny Loggins | 2 |
=10 | The Safety Dance | Men Without Hats | 1 |
=10 | Happy Station | Fun Fun | 1 |
=10 | Ghostbusters | Ray Parker Jr. | 1 |
To date the following songs had managed 8 or more weeks at 1:
Pos | Song | Act | Weeks |
1 | I Can See Clearly Now | Johnny Nash | 13 |
=2 | Mammy Blue | Charisma | 12 |
=2 | Red Red Wine | UB40 | 12 |
4 | Rivers Of Babylon | Boney M | 11 |
=5 | Beautiful Sunday | Daniel Boone | 10 |
=5 | The Safety Dance | Men Without Hats | 10 |
=7 | Michael Row The Boat Ashore | Richard Jon Smith | 9 |
=7 | Paradise Road | Joy | 9 |
=7 | Shaddap You Face | Joe Dolce Music Theatre | 9 |
=10 | Mississippi | Pussycat | 8 |
=10 | Substitute | Clout | 8 |
=10 | Kiss You All Over | Exile | 8 |
=10 | Why Me | Kris Kristofferson | 8 |
=10 | Stayin’ Alive | Bee Gees | 8 |
=10 | Baker Street | Gerry Rafferty | 8 |
=10 | Co-Co | The Sweet | 8 |
=10 | Woman In Love | Barbra Streisand | 8 |
=10 | I Don’t Wanna Dance | Eddy Grant | 8 |
In terms of the overall picture for weeks spent at 1 by an act the table looked like this:
Position | Act | Weeks |
1 | Bee Gees | 29 |
2 | Abba | 21 |
3 | Sweet | 19 |
=4 | Tom Jones | 18 |
=4 | Joe Dolan | 18 |
6 | Boney M | 16 |
=7 | Johnny Nash | 13 |
=7 | Chris Andrews | 13 |
=7 | Dr Hook | 13 |
=10 | Charisma | 12 |
=10 | UB40 | 12 |
=12 | Elvis Presley | 10 |
=11 | Troggs | 10 |
=11 | Tremeloes | 10 |
=11 | Dawn | 10 |
=11 | Daniel Boone | 10 |
=11 | Pussycat | 10 |
=11 | Men Without Hats | 10 |
UB40 and Men Without Hats were the new entrants on to this list, otherwise the rest were unchanged.
LET’S HEAR IT FOR THE GIRLS
19 songs by solo female artists spent time in the top 30 during 1984 and of those 15 managed to get into the top 20. There were a further 3 songs that were by a duet featuring a female artist. The top 20 count was the 12th highest (or 8th lowest if you’re a glass half full kind of person) total we had seen in a year with 1980’s 25 being the record to date. It was also the 7th year in total where hits by women had exceeded those by local acts. There were 16 women who brought us the 19 top 30 hits (19 if you include the duets). After 2 years where the best any woman had managed was 2 hits in a year, Cyndi Lauper saw 3 hits spend time in the charts during 1984 (‘Girls Just Wanna Have Fun’, ‘Time After Time’ and ‘She Bop’). However, ‘Time After Time’ only made the top 30 and did not get into the top 20. Irene Cara was the only other women to have more than 1 hit as she manged 2 (‘Why Me?’ and ‘Breakdance’). Petula Clark’s 4 in 1967 was still the best any woman had managed. There was only 1 local woman who spent time in the charts and that was Vangie Coker.
The top hits by woman this year (based on a top 30) were:
Pos | Song | Artist | Points |
1 | Self Control | Laura Branigan | 573 |
2 | Manuel Goodbye | Audrey Landers | 519 |
3 | 99 Red Balloons | Nena | 436 |
4 | Girls Just Want to Have Fun | Cyndi Lauper | 429 |
5 | What’s Love Got to do with It | Tina Turner | 398 |
And cumulatively (based on a top 20) this list read:
Pos | Song | Artist | Points |
1 | Sunday, Monday, Tuesday | Jessica Jones | 391 |
2 | I Don’t Wanna Play House | Barbara Ray | 336 |
3 | Self Control | Laura Branigan | 323 |
4 | Come What May (aka Aprés Toi) | Vicky Leandros | 321 |
5 | Manuel Goodbye | Audrey Landers | 314 |
‘Self Control’ and ‘Manuel Goodbye’ were both new entries onto this top 5 with Maria’s ‘Clap Your Hands And Stamp You Feet’, Sandy Posey’s ‘Single Girl’ and Bonnie Tyler’s ‘Total Eclipse Of The Heart’, which all shared 5th place at the end of 1983, dropping off the top 5.
There was no change at the top of the overall hits count list for women with Barbara Ray and Olivia Newton-John sharing the top spot with 12 hits each. Diana Ross added 1 to her total and her 9 put her in outright 4th place while Dolly Parton dropped into 5th place with 8. Parton had spent a lot of time in the charts in 1984 with ‘Islands In The Stream’ but this had been a new entry in 1983. Bonnie Tyler and Gloria Gaynor joined the bottom of this list with their 5 hits putting them level with Sandie Shaw and Lucille Starr in tied 10th place. The top female acts for number of hits looked like this:
Pos | Act | No Of Hits |
=1 | Barbara Ray | 12 |
=1 | Olivia Newton-John | 12 |
3 | Petula Clark | 11 |
4 | Diana Ross | 9 |
5 | Dolly Parton | 8 |
6 | Nancy Sinatra | 7 |
=7 | Virginia Lee | 6 |
=7 | Suzi Quatro | 6 |
=7 | Donna Summer | 6 |
=10 | Sandie Shaw | 5 |
=10 | Lucille Starr | 5 |
=10 | Gloria Gaynor | 5 |
=10 | Bonnie Tyler | 5 |
Cyndi Lauper accumulated the most weeks for a woman in 1984 as she clocked up 37. Dolly Parton was second with 33 and Irene Cara with 30 was 3rd. However, in terms of just the top 20 it was Dolly Parton who came out tops with 29 weeks followed by Cyndi Lauper on 27 then Irene Cara and Laura Branigan tied 3rd with 21. Dolly’s 29 top 20 weeks was the tied 5th best a woman had managed in a calendar year.
Barbara Ray remained at the top of the weeks list for women unchanged on 136. Olivia Newton-John was unmoved in second place but narrowed the gap to just 9 as her total moved up from 113 at the end of 1983 to 127 at the end of 1984. Diana Ross in 3rd place was also unmoved, but added 13 to her tally. Dolly Parton and Bonnie Tyler both entered the top 5 while Petula Clark and Suzi Quatro dropped out. The new top 5 for cumulative weeks for women now looked like this:
Pos | Act | Weeks |
1 | Barbara Ray | 136 |
2 | Olivia Newton-John | 127 |
3 | Diana Ross | 93 |
4 | Dolly Parton | 88 |
5 | Bonnie Tyler | 75 |
Two songs by women topped the charts during 1984 and they were Audrey Landers’ ‘Manuel Goodbye’ which spent 5 weeks at 1 and Laura Branigan’s ‘Self Control’ which managed 4 weeks.
WE ARE THE WORLD
Aside from artists from the UK and US (who tend to dominate most charts worldwide), and local acts the following are the top hits from other nationalities:
Pos | Song | Artist | Points | Nationality |
1 | Clap-Clap Sound | Klaxons | 662 | Belgium |
2 | To All the Girls I’ve Loved Before | Julio Iglesias & Willie Nelson | 600 | US/Spain |
3 | 99 Red Balloons | Nena | 436 | Germany |
4 | Happy Station | Fun Fun | 433 | Italy |
5 | Major Tom | Peter Schilling | 406 | Germany |
With ‘Clap Clap Sound’ being the overall top hit, it was obviously also the top hit for the rest of the world nations and it was the first time a Belgian act had taken this top spot. The Canadians still led the way having topped this list 4 times.
There was a record to date 33 hits by acts from the non-big 3 nations and this beat the previous record of 30 which we had seen in 1977. There were acts from 15 different nations that brought us these 33 hits and this was the tied second highest total we had seen, equalling the 1980 total and 1 less than the record so far of 16 which we saw in 1977. This includes Spain although both Spanish hits were by Julio Iglesias and both of them were duets (with Willie Nelson and Diana Ross respectively). The UK had more hits than any other nation with 55 being by UK acts and a further 1 was by a UK act (Paul McCartney) duetting with an American (Michael Jackson). US acts managed 36 hits with a further 3 being one half of a duet (Michael Jackson, Willie Nelson and Diana Ross). There were 10 local hits as mentioned above and Germany was the top of the Rest of the World nations with 5. Italy managed 4, Australia 3, Guyana 2 and then 1 each from Canada, Jamaica, Denmark, Belgium, The Netherlands and Ireland. And as mentioned above, there were 2 from Spain, both as half of a duet. It was the 4th time Germany had been the top non-big 3 nation and they joined Australia and The Netherlands for topping this list 4 times. These 3 nations were tied second behind Canada who had topped the list 6 times.
The Americans led the way overall as they had brought us 709 hits. The Brits were second with 697 and they had closed the gap from 28 at the beginning of the year to 12 at the end of the year. There had been 401 hits by local acts. Of the rest of the world nations, Canada led the way with 38 closely followed by The Netherlands on 37 and Germany on 36. There had been 27 different nations involved in bringing us our hits so far with Denmark represented by Laid Back being the latest nation to be added to the list.
The cumulative best hits for ‘rest of the world’ artists were as follows:
Pos | Song | Artist | Points | Nationality |
1 | You | Peter Maffay | 399 | Germany |
2 | Words | F.R. David | 392 | France |
3 | Clap Clap Sound | Klaxons | 381 | Belgium |
4 | We Believe in Tomorrow | Freddy Breck | 376 | Germany |
5 | The Safety Dance | Men Without Hats | 362 | Canada |
There were 2 new entries on this list and they were ‘Clap Clap Sound’ and ‘The Safety Dance’. They knocked Boney M’s ‘Rivers Of Babylon’ and ‘We Kill The World (Don’t Kill The World)’ out of the top 5.
WHAT DIDN’T CHART
1983 saw the record low of US/UK chart toppers that didn’t make our top 30 and that was 4, of which 1 subsequently made the charts. 1984 saw this total jump up to 12 of which 3 would subsequently make the charts. The 12 was the 5th lowest total we had seen while the net 9 was the tied 3rd lowest.
The UK/US number 1’s of 1984 that did make our charts in the year were as follows:
Song | Artist | |
Do They Know It’s Christmas? | Band Aid | * |
I Feel For You | Chaka Khan | |
I Should Have Known Better | Jim Diamond | * |
Let’s Go Crazy | Prince | |
Let’s Hear It For The Boy | Deniece Williams | |
Like A Virgin | Madonna | * |
Only You | Flying Pickets | |
Out Of Touch | Daryl Hall & John Oates | |
Pipes Of Peace | Paul McCartney | |
Relax | Frankie Goes To Hollywood | |
The Power Of Love | Frankie Goes To Hollywood | |
The Reflex | Duran Duran |
* Would chart in a later year
I WRITE THE SONGS
It took 201 song writers to bring us our charts in 1984, the 4th highest total we had seen so far. The 223 we saw in 1983 was the record to date for this figure. The average number of hits per song writer was 2.072 which was only the second time this figure had been over 2 but fell short of the record of 2.186 which again was set in 1983. George Michael took top honours for number of hits as a song writer having penned Wham!’s 3 hits (‘Club Tropicana’, ‘Wake Me Up Before You Go Go’ ‘Freedom’) and his solo hit, ‘Careless Whisper’. Steve Jolley, Tony Swain, Bernie Taupin, Elton John, Giorgio Moroder and Ian Anthony Stephens all managed to see 3 of their compositions spend time in the charts. In terms of weeks it was Ian Anthony Stephens who saw his compositions spend the most time in the charts. He accumulated 19 weeks with Marsha Raven’s ‘Catch Me (I’m Falling In Love)’, 17 weeks with The Flirtations’ ‘Earthquake’ and 15 weeks with Hazell Dean’s ‘Searchin’, giving him a total of 51 weeks. Robin and Maurice Gibb were second with 50, with 33 coming from ‘Islands In The Stream’ and 17 from Robin’s solo hit, ‘Boys Do Fall In Love’ which Barry (who helped write ‘Islands In The Stream’) did not have a writing hand in.
There was no change at the top of the overall hits by songwriters list with Terry Dempsey leading the way on 28. He was followed by Mike Chapman on 27 and Nicky Chinn and Barry Gibb on 26. Chapman still led the way for weeks by a songwriter but he had increased his total from 352 to 360 as Agnetha Faltskog’s ‘Wrap Your Arms Around Me’ continued its run, which started in 1983, into 1984. Nicky Chinn was still in second place on 342 despite not adding to his total. Barry Gibb was unmoved in 3rd place despite adding 33 to his total from ‘Islands In The Stream’ (which had also started its run in 1983). He was on 335.
As with the acts, there was no songwriter who manged more than 1 number 1 which meant that Neil Diamond, who composed UB40’s ‘Red Red Wine’, took top honours for weeks at 1 for a songwriter with the song spending 12 weeks at the top of the charts.
Abba’s Benny and Bjorn had still seen the most compositions top the chart overall with 8 number 1’s to their names. The Gibbs brothers (Barry, Robin and Maurice) were next with 7 and Neil Diamond and Benny and Bjorn’s song writing partner Stig Anderson were behind them on 6, Diamond being the only one who added to his total this year.
CONSECUTIVE YEARS
Two acts had featured in our charts every year since 1979, the longest run for any of the acts charting in 1984. These 2 were Michael Jackson and Queen. Diana Ross as seen chart action every year since 1980 (a run of 5 years) while David Bowie, Eddy Grant, Kool & The Gang and Lionel Richie had all charted in every year since 1981. Queen missed out on 1978. Had they managed to chart then, their run would have gone back to 1976, but even if they had managed to complete an 8 year run, they would still have been behind the record 10 years which Abba managed from 1973 to 1982. Of the local acts that charted this year, only éVoid and The Soft Shoes saw chart action in 1983 and both of them saw hits straddle 1983/84 year end. The Staccatos 6 year run from 1965 to 1969 was the best a local act would ever manage.
LIEDJIEBOERE
Only 2 Afrikaans songs made the charts this year and they were Herman Holtzhausen’s ‘Trans-Karoo’ and David Kramer’s ‘Stoksielalleen’ with the former performing better, getting 158 top 30 points while the latter managed 94. The 5 Afrikaans hits we saw in 1968 was the all time record. Sadly, there would be no further Afrikaans songs making our charts. In total we had seen 40 Afrikaans songs chart. Of these 34 had been pure Afrikaans hits, 4 had been a mix of English and Afrikaans and we had seen 2 instrumentals with Afrikaans titles chart. Only 1 of these did not make the top 20 and that was Cora Marie’s ‘Roos Van My Hart’.
As there were no more Afrikaans hits to come, here is the list of all the Afrikaans songs that made our charts, listed in order of top 20 points (and excluding ‘Roos Van My Hart’):
Pos | Song | Artist | Points |
1 | Ramaja | Glenys Lynne | 216 |
2 | Vyfster | Lloyd Ross | 205 |
3 | Hak Hom Blokkies | David Kramer | 203 |
4 | Daar’s Niks Soos Ware Liefde | Groep Twee | 198 |
5 | Die Gezoem van die Bye | Des Lindberg | 175 |
6 | Die Ou Kraalliedjie | Groep Twee | 161 |
7 | Kinders van die Wind | Laurika Rauch | 150 |
8 | Vicki | Lance James | 148 |
9 | Sewe Sakke Sout | Anneli van Rooyen | 143 |
10 | Haai Casanova | Glenys Lynne | 128 |
11 | Kruidjie-Roer-My-Nie | Anton Goosen | 116 |
=12 | Die Royal Hotel | David Kramer | 113 |
=12 | Sonder Jou | Ian & Dix | 113 |
14 | Jou Hart is Weer Myne | Heintje | 108 |
15 | Baas Jack | Al Debbo | 104 |
16 | Ek Verlang Na Jou | Sonja Herholdt | 95 |
17 | Groen en Goud | Bats | 74 |
18 | Sonbrilletjies | Al Debbo | 69 |
19 | My Klein Witte Duifie | Tamaletjie | 65 |
20 | Oliekolonie | Boet van Wyk Orkes | 57 |
21 | Trans-Karoo | Herman Holtzhausen | 47 |
=22 | Totsiens Aufwiedersehen | Vicky du Preez | 44 |
=22 | Die Tantes van Nantes | Al Debbo & Nico Carstens | 44 |
24 | Gee vir My ‘n Bietjie “Country” | Cora Marie | 42 |
25 | Heidi | Herbie & Spence | 40 |
26 | Groen Koringlande | Ben E Madison | 39 |
27 | Dankie | Lance James | 32 |
28 | Weltevrede Stasie | Bats | 27 |
29 | Ek is Verlief op Jou | André | 23 |
=30 | Net Soos Ek die Telefoon Neersit | Caroline du Preez | 14 |
=30 | Gee Haar ‘n Roos | Cora Marie | 14 |
32 | Was Ek Maar ‘n Digter | Kupido | 13 |
33 | Stoksielalleen | David Kramer | 6 |
=34 | My Hart Het ‘n Kleine Venster | Glenys Lynne | 5 |
=34 | Hoeka Toeka | Carike Keuzenkamp | 5 |
=36 | Liefde is My Nooi se Naam | Billy Forrest | 4 |
=36 | Maar in Amerika | Roy Memphis | 4 |
=38 | Ek Verlang Nog Altyd | Mynie & Jan | 1 |
=38 | Dink Jy Darem Nog Aan My | Groep Twee | 1 |
And the overall stats for Afrikaans hits was as follows:
Year | No Of Hits | Weeks (Top 20) | Weeks (Top 30) |
1965 | 0 | 0 | |
1966 | 1 | 13 | |
1967 | 2 | 22 | |
1968 | 5 | 40 | |
1969 | 0 | 0 | |
1970 | 2 | 13 | |
1971 | 2 | 32 | |
1972 | 3 | 6 | |
1973 | 1 | 1 | |
1974 | 3 | 19 | |
1975 | 4 | 32 | |
1976 | 2 | 27 | |
1977 | 1 | 7 | |
1978 | 2 | 12 | |
1979 | 2 | 29 | |
1980 | 0 | 0 | |
1981 | 3 | 22 | |
1982 | 3 | 32 | |
1983 | 3 | 23 | 29 |
1984 | 2 | 12 | 24 |
THANKS
Well that’s 1984 done and dusted (without a single George Orwell reference…until now). So it’s onward to 1985 but before that, just a final word of thanks to Peet van Staaden, Kevin Farquharson and Ian McLean for supplying valuable information and corrections as well as Chris Kimberly, Brian Currin, Stephen Segerman and Tertius Louw for helping out with any questions that come our way.